Dickinson College – Hometown Revolutions (Interview with Poet and writer “Righteous Teacher”)

Below is an interview with aspiring poet and writer “Righteous Teacher” with his Alma Mater Dickinson College in Carlisle, Pa. You can find out more about his passion fpr poetry and positive youth development by clicking the link below or reading the article below.

Hometown Revolutions

 

javan howard 2
Javan Howard ‘11 applies his creative, administrative and leadership skills to help at-risk youth in New York City.

 

Recent graduate creates community, one student at a time

by MaryAlice Bitts-Jackson

March 21, 2012

As a student, Javan Howard ’11 harbored two central passions: a commitment to community-building through youth mentorship and a love of writing and the performing arts. Today, this former Africana-studies major funnels his interests into innovative educational programming for at-risk youth in New York City.

 

Empowering expression

A Bronx, N.Y., native and Posse scholar, Howard is a member of AmeriCorps, a national network that serves thousands of public agencies and community organizations. Through that network, he works with the New York Juvenile Justice Corps and the city’s Office of Children and Family Services, teaching service learning to youths in Brooklyn and the Bronx and creating educational programs that prepare students for life after high school.

But perhaps the most rewarding aspect of Howard’s professional life is his work with youth offenders at a 24-hour, all-male juvenile facility in the heart of Brooklyn. Four days a week, he develops new ways to teach core values such as democracy, identity, community building and service learning to the residents.

Although Howard is energized by the chance to make a difference in his students’ lives, he admits that it isn’t easy. “There is no doubt that there are challenges to working with a population that is often neglected. You have to find a balance between getting the lesson across [and addressing] the daily distractions of [the residents’] everyday lives,” he says, explaining that the three-to-six-month residential-placement period is a difficult time for his charges. “You have to find creative ways to keep them interested in the material but also connect with them on a personal level. But I like the challenge.”

To meet it, Howard taps the performing arts, augmenting his curriculum of weekly classes, guest lectures and service trips with opportunities for creative expression. He’s also gearing up for a June panel discussion on hip-hop and its influence on the urban community. “Having creative freedom in a field that I am genuinely interested in—that is the most rewarding aspect of the job for me,” says Howard, who plans to pursue an MFA in creative writing after completing his AmeriCorps work in September.

Change begins at home

That comes as no surprise to Brenda Landis, advisor of Dickinson’s radio station, WDCV, who worked closely with Howard when he was a WDCV executive member, DJ, event organizer, interviewer and co-station manager. Landis notes that in addition to the administrative and creative skills needed to develop new educational programs, Howard also has the soft skills to build networks and connect with his students.

In turn, Howard says that his involvement with WDCV, Umoja and the Poetry Club helped prepare him for many aspects of his current work by providing experience in event planning, leadership and networking. And his Africana-studies coursework laid the foundation for the spirit of activism that fuels this recent graduate’s blossoming career.

“I truly believe there has to be a well-developed connection between organizations involved in education and the communities they serve, and my [coursework] definitely helped me to understand how my work, both personally and professionally, [affects] the community,” says Howard, who gave back to the program that helped mold him when he delivered the closing remarks at a regional Africana-studies conference hosted by Dickinson in February.

“To really make an impact and promote change,” Howard continues, “one has to do so through the community and world he or she is in.”

 

 

 

Performance Arts & Africana Studies (Message to Incoming Students)

In February 2012 , I was honored enough to go back to my college and participate in a conference and deliver the closing remarks with another Africana Studies graduate (the speech i delivered will be posted later).

This poem is from the closing ceremony during the Central Pennsylvania Consortium Africana Studies Conference at Dickinson College February 2012  on “Performing Memory, History and Identity in the Black World”

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The Negro must climb the racial

mountain but don’t look down

cuz’ negroes are falling off the raft.

Waaaaaaaaaaaaaaay in the water

wade in the water, dead.

But where are all the Negro spirituals?

So soulful uplifting the nation

Righteous Teacher

black citizens, my people.

 

Where is that voice of reason?

Contemplating the true dilemma,

as that Strange Fruit in America.

The Poet, The Writer, The Lyricist…

who turns black pain into black art

by squeezing the rhythm and blues

out of neo-slave narratives.

 

The Preacher, The Singer

lifting every voice to sang a

harmonious oral history of

the black experience,

The unconventional black artist

The Comedian, The Actor

who like those tall tales passed

down from African Griots,

paints a vivid history rooted

in the melody of black struggle.

 

The pain echoed though

the wonders of performance arts

the continuity as fluid

as our black identity

as we break the verbal

barriers of the written language

and turn generations of silence

into a inter-disciplinary approach

of black subjectivity, one

fused with the cadence of rhymes

and a multitude of expressions

-Righteous Teacher